FRED

Around a song, an album

What surrounds a song, an EP, an album and the way it is built.

FRED walking with his head bowed as several artistic worlds converge toward him
AROUND A SONG, AN ALBUM

FRED (EP): why these four songs belong together

Chienne de vie, Ton fils, Pour un temps and Faisons la paix: four different songs tracing the same human movement.

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GYEOL — 결 collection cover — FRED
AROUND A SONG, AN ALBUM

GYEOL — 결: from image to texture, my path toward Korea

From a fascination born through images to a collection devoted to Korea: why GYEOL is less about explaining than learning to see differently.

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Nuits de soie album cover — FRED
AROUND A SONG, AN ALBUM

Nuits de soie: where desire keeps its measure

Three songs, three ways of exploring desire, memory and what encounters leave behind.

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Cover of “Grand sommeil” — FRED, Le Pavé universe
AROUND A SONG, AN ALBUM

Grand sommeil: living on display until we no longer know who is watching

Grand sommeil begins by pointing at other people. Then Le Pavé quietly turns the finger back toward us.

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“Pauvre vieille” cover — FRED, Le Pavé
AROUND A SONG, AN ALBUM

Pauvre vieille: when grief reveals everything else

An old woman remains seated with her grief while, around her, everyone else is already beginning to organise what comes next.

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Cover of “Madame Merci” — CAMLAND universe
AROUND A SONG, AN ALBUM

Madame Merci: when respect becomes rare enough to deserve thanks

In CAMLAND, Madame Merci returns to the human being behind the screen: when a woman thanks someone simply for looking at her normally, the damaged world around her comes into focus.

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Cover of “La Meute” — CAMLAND world, a siren woman in the water, vortex of shadows and red sole
AROUND A SONG, AN ALBUM

La Meute: when the screen turns the crowd into a predator

In CAMLAND, La Meute watches the moment when individual responsibility dissolves into a group that has become predatory.

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Rina cover — CAMLAND world, black ink, female silhouette and a black shoe with a red sole
AROUND A SONG, AN ALBUM

Rina: before CAMLAND, there was a real encounter

CAMLAND was not born from an idea about the Internet. It began with a real encounter, then with a glimpse from the other side of the screen.

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Temporary visual for the FRED world — black background and metallic puzzle pieces
AROUND A SONG, AN ALBUM

Je joue du blues avec les mots: before the music, there was already writing

Before the stage and the arrangements, there were already words: a manifesto-song about writing as a way of staying on your feet.

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Cover of “Faisons la paix” — FRED’s face as a puzzle, with a hand placing the final piece
AROUND A SONG, AN ALBUM

Faisons la paix: the final piece of the puzzle

The final piece does not repair the face. It simply allows it to become whole without erasing its cracks.

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FRED EP cover — a portrait fragmented into puzzle pieces on a graphite background
AROUND A SONG, AN ALBUM

FRED — four songs into the project’s most intimate world

On October 2, 2026, the first FRED EP will bring together Chienne de vie, Ton fils, Pour un temps and Faisons la paix.

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FRED seen from behind in a rainy Kanazawa street — memory, blue neon and night
AROUND A SONG, AN ALBUM

Kanazawa: holding on to a moment before it fades

Rain, blue neon, a few passing figures: what disappears in the city, the song saves.

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FRED in a night-time street — Neon Noir visual
AROUND A SONG, AN ALBUM

Neon Noir: a light in the dark

A cold light that erases nothing: why Neon Noir carries both the contradiction and the horizon of an entire album.

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Neon Noir: from the inner night to the light
AROUND A SONG, AN ALBUM

Neon Noir: from the inner night to the light

Why the first Neon Noir single actually tells the end of a crossing: from the inner night toward a light that erases nothing.

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Le Pavé — FRED
AROUND A SONG, AN ALBUM

Le Pavé: FRED’s album in the making

A social, direct and poetic album about the forgotten — and the people who get used to forgetting them.

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