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An editorial space that lets the songs continue beyond the music without spelling everything out.
FRED articles
FRED articles: behind the scenes, crossed perspectives, personal texts and stories around the songs and worlds.

FRED (EP): why these four songs belong together
Chienne de vie, Ton fils, Pour un temps and Faisons la paix: four different songs tracing the same human movement.
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When a team becomes a group
After Japan and Korea, weeks of studio work and shared daily life brought the FRED team even closer together.
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August between Japan and Korea: when the journey becomes part of the project
From Japan to Korea, a month of work, encounters, stage experiences and studio sessions that changed the team and opened a new chapter for FRED.
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Back to work, and everything moving behind the screen
For the past ten days, FRED has been running at full speed again: teamwork, the website, creation, new ways of releasing music and an intensive studio week ahead.
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GYEOL — 결: from image to texture, my path toward Korea
From a fascination born through images to a collection devoted to Korea: why GYEOL is less about explaining than learning to see differently.
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Nuits de soie: where desire keeps its measure
Three songs, three ways of exploring desire, memory and what encounters leave behind.
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Grand sommeil: living on display until we no longer know who is watching
Grand sommeil begins by pointing at other people. Then Le Pavé quietly turns the finger back toward us.
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Pauvre vieille: when grief reveals everything else
An old woman remains seated with her grief while, around her, everyone else is already beginning to organise what comes next.
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Madame Merci: when respect becomes rare enough to deserve thanks
In CAMLAND, Madame Merci returns to the human being behind the screen: when a woman thanks someone simply for looking at her normally, the damaged world around her comes into focus.
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La Meute: when the screen turns the crowd into a predator
In CAMLAND, La Meute watches the moment when individual responsibility dissolves into a group that has become predatory.
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Rina: before CAMLAND, there was a real encounter
CAMLAND was not born from an idea about the Internet. It began with a real encounter, then with a glimpse from the other side of the screen.
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Je joue du blues avec les mots: before the music, there was already writing
Before the stage and the arrangements, there were already words: a manifesto-song about writing as a way of staying on your feet.
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